Summer Drift: Autofiction, Identity & Reclaiming Geneva (2026)

Summer Drift: A Cinematic Journey of Identity and Reclamation

The Swiss-French feature film "Summer Drift" is a captivating exploration of identity, friendship, and personal transformation. Directed by Céline Carridroit and Aline Suter, the movie takes viewers on a journey through the life of Johanna Schopfer, a watch factory worker in Geneva, as she embarks on a summer project to restore her vintage VW Beetle.

What makes "Summer Drift" truly remarkable is its unique blend of documentary and autofiction. The directors skillfully use reconstructed scenes and staged fiction to tell a story that is both personal and political. This approach allows the audience to witness Johanna's journey through her own eyes, as she navigates the complexities of her identity and the challenges of her environment.

One of the key elements of the film is the exploration of Geneva, a city often associated with diplomacy, banks, and luxury. Carridroit and Suter, both natives of Geneva, wanted to showcase the city's hidden rhythms and working-class garages. They highlight the city's history of resistance and the diverse communities that thrive within it. By presenting Geneva as a character in itself, the directors offer a fresh perspective on the city's image, challenging the stereotypes that often surround it.

The film's central narrative revolves around Johanna's return to the world of mechanics, a place she was rejected from after her transition. This return becomes a powerful metaphor for her personal transformation. The car, a central symbol in the film, represents not only her transition but also her past and how people perceive her. The directors skillfully use the car as a tool to explore themes of identity, labor, class, and violence, providing a concrete and relatable narrative thread.

Shooting on 16mm film was an essential part of the film's aesthetic and message. Suter explains that it allowed them to create a cinematic space where a trans woman could exist, an era where such representation was rare. The film's texture and color palette, inspired by the 1970s and 1980s, evoke a sense of nostalgia while also capturing the conservative nature of Switzerland. This choice of film stock was not just about aesthetics but also about making a political statement, ensuring that the film's visual language aligns with its themes.

The warmth and friendship between Johanna and her friends, Rocco and Leticia, are another highlight of the film. Suter emphasizes the importance of these relationships, which bring life and joy to the story. The final raft scene, in particular, showcases the power of friendship and the sense of belonging it provides. The film celebrates the simple pleasures of affection and the support of those who understand and love you.

Bringing the film to ACID Cannes is a significant moment for the directors and the cast. Suter expresses her excitement about sharing the film with Johanna, Rocco, and Leticia, as they embark on a new journey together. The event provides an opportunity for the audience to witness the impact of the film on Johanna, who, as Carridroit mentions, has undergone a personal transformation through the process of making the movie. The directors' commitment to showcasing the film's emotional truth and the power of storytelling is evident in their approach to this cinematic adventure.

"Summer Drift" is a thought-provoking and visually stunning film that challenges societal norms and celebrates the beauty of personal journeys. It invites viewers to reflect on the complexities of identity, the power of friendship, and the importance of representation in cinema. Through its unique storytelling techniques and powerful performances, the film leaves a lasting impression, reminding us of the transformative power of art.

Summer Drift: Autofiction, Identity & Reclaiming Geneva (2026)
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